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MY PERSONAL SPONSOR

SPONSOR OF THE CYBERMUSIC GALLERY

SPONSOR OF THE CYBERMUSIC WORKSHOP

SUPPORTERS DURING MY EDUCATION
Johannes and Rosemarie Hartmann, Dr. Markus Hartmann, Cornelius Hartmann, Dr. Christoph Becker, Dr. Siegfried Hartmann, Margret Weyandt, Helmut Grandtke

Carl Maria von Weber Music Academy Dresden, GDR Academy of Arts Berlin, Institute for Computer Music and Electronic Media (ICEM), Friends and Sponsors of the Folkwang Highschool for Dance and Music, German Students Exchange Service (DAAD), Student's welfare programs of Germany
MENTORS, COMPANIONS AND PARTNERS
Prof. Manfred Weiss, Prof. Udo Zimmermann, Prof. Georg Katzer, Prof. Dirk Reith, Prof. Thomas Kessler, Prof. Yitzhak Sadai, Prof. Wilfried Jentzsch, Friedbert Wissmann, Prof. Wilfried Kretzschmar, Prof. Gerd Schönfelder, Monika Schordan, Ruth Bodenstein, Gunnar Nauck, GMD Volker Ochs

Dr. Heinz-Joseph Florian, Peter Zacher, Fritz, Joseph Sprinzhak, Ygal Myrtenbaum, Ludger Brümmer, Ralf Ollertz, Achim Bornhöft, Thomas Neuhaus, Markus Lepper, Javier Alejandro Garavaglia, Raviv Gazit, Eckart Eckel, Hannes Wahrig, Dr. Helmut Zander, Michael, Carlo and Chris, Rivka Herman, Ruti and Lilit, and many, many others

Hannes Wahrig, Ursula Schrenk, Matthias Höfer, Markus Bongartz, Bettina Otto, Doron Fuhrman
COMPOSERS, MUSICIANS AND THEORETICIANS
Haydn, Mozart, Bach, Beethoven, Mendelssohn, Schumann, Faure, Wagner, Debussy, Strawinsky, Prokofjew, Lutoslawski, Ligeti, Xenakis, Stockhausen, Berio, Nono

Beatles, Pink Floyd, Tangerine Dream, Future Sound of London, Stevie Wonder, Sting, Zappa, Genesis, Madonna, George Michael, Britney Spears

Jaroslav Volek, Kurt Blaukopf, Harry Goldschmidt, Theodor Adorno, Norbert Bolz, Leonhard Bernstein, Gottfried Michael König
SOFTWARE, HARDWARE, INSTITUTIONS
Developers of Csound, CMusic, APOS, EWS64, Wave, Sound-Designer, Pro-Tools, Samplitude, Cubase, Fairlight, DX7, Kurzweil and Akai Samplers, ASR-10, AUDIAC, and other professional studio equipment of SEK'D Dresden, ICEM Essen, Music Academy Basel, IRCAM Paris, UPIC Paris, STEIM Netherlands, Electronic Studio of the Tel Aviv University

Information and archiving services of DeGeM, ICEM
SPECIAL THANKS
To my wife Ruti and my daughter Lilit for their patience and morale support.
MUSICAL CONTRIBUTIONS
TAKE FIVE TAKES
Markus Bongartz, Germany, spoke the phrase "langerhutmitkordelanstelledesbandes".
PIANO GAMES
Piano sounds of this recordings are originating from Kurzweil piano samples.
EXSAMPLES MECHANIQUE
Most of the sound samples are originating from old mechanical music machines of the National Museum in Prague.

Piano sounds of this recording (finale) are originating from Kurzweil piano samples.
PASSAGE
Bell sounds are originating from record "Glocken in der DDR", German Democratic Republic.

Voice sounds are originating from Ursula Schrenk, Germany, and voice, clapping and public sounds from the record "Hörspielklänge", German Democratic Republic.

Instrumental sounds are originating from AKAI sampler.
MUSIC MINUS ONE
Playing bass clarinet: Matthias Höfer.

Samples from bass clarinet instrument (clapping and breathing sounds), produced by Matthias Höfer.

Samples from second movement of Concerto for Clarinet and Orchestra, A Major, KV622.
THE BELL DRAMA
Complete sound resources originating from one single sound originating from a small bell originating from a Jaffa flee market.
PORTRAITS OF A WOMAN
All voice resources originating from Ursula Schrenk, Germany.

Variations, final sound: Final sound of Israeli Anthem taken from television.

Inside, breaking in street-sounds: Tel Aviv, Ben Yehuda street, emergency cars from Magen David.

April, special sounds: Telephone sound of German daily newspaper office, step sounds of German chief editor Alice Schwarz-Gardos
BEL CHRISTMAS
Chimes, sampler sounds taken from ASR-10.
BLACK BIRD'S GARDEN
One single blackbird phrase of 1.5 seconds, taken from record "Vögel in Haus, Hof und Garten", GDR.
ELECTRIC SYMPHONY
One sound of a chimney clock from BBC sound collection 1978.
NOISE SYMPHONY
6 Sounds of home environment from BBC sound collection 1978.
CLUNG SYMPHONY
All sounds are originating from instrumental sample sounds, freely available through the Web. Thanks to all providers!
LETTERS
Part of sounds originates from instrumental sample sounds, freely available through the Web.

Part of sounds originates from BBC sound collection 1978.

Part of sounds are taken from the Freesound collection available through http://freesound.iua.upf.edu/. This is valid for the following songs: "Sesame Open", "Electrobirds", "Rotary Drums", "Electric Chicken", "Sinai 2", "Talking Violin", "E-Bird Song", "Glass Factory", "Nocturne", "Alpha Dance", "Voice Tracks", and "Balloon Song" that are published separately as interactive "Web Songs" under http://www.cm-gallery.com/FleX/SB_TOC.htm/.

Genesis: Music samples from "Like Humans Do", David Byrne, and "Highway Blues", Marc Seales.

Drop Drop'n Drops: Various musical samples of "Hava Nagila", freely available through the Web. Thanks to all artists!

Lilit: Piano playing, and voice sample "Shalom" by Lilit Raz, bird samples recorded in Tel Aviv, Ness Ziona (Israel), and bird samples freely available through the Web. Thanks to all providers.

Riverside: Smetana "Die Moldau", Vienna Philharmonic Orchestra by Rafael Kubelik. "HaTikvah", freely available by http://www.israeliskt.com/fakta_om_israel.html. Musical sample of Palestine singer Kamilya Jubran, "How can I name them?".

"Down by the Riverside", music and lyrics by unknown
  • I'm gonna lay down my burden,
    down by the riverside,
    Down by the riverside, down by the riverside
    I'm gonna lay down my burden,
    down by the riverside,
    I'm gonna study war no more

  • I ain't a gonna study war no more,
    I ain't a gonna study war no more,
    I ain't a gonna study war no more,
    I ain't a gonna study war no more,
    I ain't a gonna study war no more,
    I ain't a gonna study war no more,

  • Well, I'm gonna put on my long white robe,
    (Where?) down by the riverside (Oh)
    Down by the riverside, down by the riverside
    I'm gonna put on my long white robe,
    (Where?) down by the riverside
    I'm gonna study war no more

  • I ain't a gonna study war no more, ...

  • Well, I'm gonna lay down my sword and shield,
    (Where?) down by the riverside
    Down by the riverside, down by the riverside
    I'm gonna lay down my sword and shield,
    (A-ha) down by the riverside
    I'm gonna study war no more

  • I ain't a gonna study war no more, ...

HaTikvah ("The Hope")

The words to Israel's national anthem were written in 1886 by Naphtali Herz Imber, an English poet originally from Bohemia. The melody was written by Samuel Cohen, an immigrant from Moldavia. Cohen actually based the melody on a musical theme found in Bedrich Smetana’s "Moldau."
  • As long as the Jewish spirit is yearning deep in the heart,
    With eyes turned toward the East, looking toward Zion,
    Then our hope - the two-thousand-year-old hope - will not be lost:
    To be a free people in our land,
    The land of Zion and Jerusalem.

"How can I name them?"
Lyrics by Kaifa Osammiha
Translated by Omnia Amin
Composition and interpretation by Palestinian singer Kamilya Jubran, Paris

  • How can I name
    All these wars
    The burning cities
    The mountains
    Severed imagination
    Crowds
    How can I name them
    have I not but one single glance left
    And one wall
    In one direction?!

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