Thank You! Credits |
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MY PERSONAL SPONSOR |
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SPONSOR OF THE CYBERMUSIC GALLERY |
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SPONSOR OF THE CYBERMUSIC WORKSHOP |
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SUPPORTERS DURING MY EDUCATION |
Johannes and Rosemarie Hartmann, Dr. Markus Hartmann, Cornelius Hartmann, Dr. Christoph Becker,
Dr. Siegfried Hartmann, Margret Weyandt, Helmut Grandtke
Carl Maria von Weber Music Academy Dresden, GDR Academy of Arts Berlin, Institute for Computer Music and Electronic Media (ICEM), Friends and Sponsors of the Folkwang Highschool for Dance and Music, German Students Exchange Service (DAAD), Student's welfare programs of Germany |
MENTORS, COMPANIONS AND PARTNERS |
Prof. Manfred Weiss, Prof. Udo Zimmermann, Prof. Georg Katzer, Prof. Dirk Reith, Prof. Thomas Kessler,
Prof. Yitzhak Sadai, Prof. Wilfried Jentzsch, Friedbert Wissmann, Prof. Wilfried Kretzschmar,
Prof. Gerd Schönfelder, Monika Schordan, Ruth Bodenstein,
Gunnar Nauck, GMD Volker Ochs
Dr. Heinz-Joseph Florian, Peter Zacher, Fritz, Joseph Sprinzhak, Ygal Myrtenbaum, Ludger Brümmer, Ralf Ollertz, Achim Bornhöft, Thomas Neuhaus, Markus Lepper, Javier Alejandro Garavaglia, Raviv Gazit, Eckart Eckel, Hannes Wahrig, Dr. Helmut Zander, Michael, Carlo and Chris, Rivka Herman, Ruti and Lilit, and many, many others Hannes Wahrig, Ursula Schrenk, Matthias Höfer, Markus Bongartz, Bettina Otto, Doron Fuhrman |
COMPOSERS, MUSICIANS AND THEORETICIANS |
Haydn, Mozart, Bach, Beethoven, Mendelssohn, Schumann, Faure, Wagner, Debussy, Strawinsky,
Prokofjew, Lutoslawski, Ligeti, Xenakis, Stockhausen, Berio, Nono
Beatles, Pink Floyd, Tangerine Dream, Future Sound of London, Stevie Wonder, Sting, Zappa, Genesis, Madonna, George Michael, Britney Spears Jaroslav Volek, Kurt Blaukopf, Harry Goldschmidt, Theodor Adorno, Norbert Bolz, Leonhard Bernstein, Gottfried Michael König |
SOFTWARE, HARDWARE, INSTITUTIONS |
Developers
of Csound, CMusic, APOS, EWS64, Wave, Sound-Designer, Pro-Tools, Samplitude,
Cubase, Fairlight, DX7, Kurzweil and Akai Samplers, ASR-10, AUDIAC, and other professional
studio equipment of SEK'D Dresden, ICEM Essen, Music Academy Basel, IRCAM Paris,
UPIC Paris, STEIM Netherlands, Electronic Studio of the Tel Aviv University Information and archiving services of DeGeM, ICEM |
SPECIAL THANKS |
To my wife Ruti and my daughter Lilit for their patience and morale support. |
MUSICAL CONTRIBUTIONS |
TAKE FIVE TAKES |
Markus Bongartz, Germany, spoke the phrase "langerhutmitkordelanstelledesbandes". |
PIANO GAMES |
Piano sounds of this recordings are originating from Kurzweil piano samples. |
EXSAMPLES MECHANIQUE |
Most of the sound samples are originating from old mechanical music machines of the
National Museum in Prague.
Piano sounds of this recording (finale) are originating from Kurzweil piano samples. |
PASSAGE |
Bell sounds are originating from record "Glocken in der DDR", German Democratic Republic.
Voice sounds are originating from Ursula Schrenk, Germany, and voice, clapping and public sounds from the record "Hörspielklänge", German Democratic Republic. Instrumental sounds are originating from AKAI sampler. |
MUSIC MINUS ONE |
Playing bass clarinet: Matthias Höfer.
Samples from bass clarinet instrument (clapping and breathing sounds), produced by Matthias Höfer. Samples from second movement of Concerto for Clarinet and Orchestra, A Major, KV622. |
THE BELL DRAMA |
Complete sound resources originating from one single sound originating from a small bell originating from a Jaffa flee market. |
PORTRAITS OF A WOMAN |
All voice resources originating from Ursula Schrenk, Germany.
Variations, final sound: Final sound of Israeli Anthem taken from television. Inside, breaking in street-sounds: Tel Aviv, Ben Yehuda street, emergency cars from Magen David. April, special sounds: Telephone sound of German daily newspaper office, step sounds of German chief editor Alice Schwarz-Gardos |
BEL CHRISTMAS |
Chimes, sampler sounds taken from ASR-10. |
BLACK BIRD'S GARDEN |
One single blackbird phrase of 1.5 seconds, taken from record "Vögel in Haus, Hof und Garten", GDR. |
ELECTRIC SYMPHONY |
One sound of a chimney clock from BBC sound collection 1978. |
NOISE SYMPHONY |
6 Sounds of home environment from BBC sound collection 1978. |
CLUNG SYMPHONY |
All sounds are originating from instrumental sample sounds, freely available through the Web. Thanks to all providers! |
LETTERS |
Part of sounds originates from instrumental sample sounds, freely available through the Web.
Part of sounds originates from BBC sound collection 1978. Part of sounds are taken from the Freesound collection available through http://freesound.iua.upf.edu/. This is valid for the following songs: "Sesame Open", "Electrobirds", "Rotary Drums", "Electric Chicken", "Sinai 2", "Talking Violin", "E-Bird Song", "Glass Factory", "Nocturne", "Alpha Dance", "Voice Tracks", and "Balloon Song" that are published separately as interactive "Web Songs" under http://www.cm-gallery.com/FleX/SB_TOC.htm/. Genesis: Music samples from "Like Humans Do", David Byrne, and "Highway Blues", Marc Seales. Drop Drop'n Drops: Various musical samples of "Hava Nagila", freely available through the Web. Thanks to all artists! Lilit: Piano playing, and voice sample "Shalom" by Lilit Raz, bird samples recorded in Tel Aviv, Ness Ziona (Israel), and bird samples freely available through the Web. Thanks to all providers. Riverside: Smetana "Die Moldau", Vienna Philharmonic Orchestra by Rafael Kubelik. "HaTikvah", freely available by http://www.israeliskt.com/fakta_om_israel.html. Musical sample of Palestine singer Kamilya Jubran, "How can I name them?". "Down by the Riverside", music and lyrics by unknown
The words to Israel's national anthem were written in 1886 by Naphtali Herz Imber, an English poet originally from Bohemia. The melody was written by Samuel Cohen, an immigrant from Moldavia. Cohen actually based the melody on a musical theme found in Bedrich Smetana’s "Moldau."
Lyrics by Kaifa Osammiha Translated by Omnia Amin Composition and interpretation by Palestinian singer Kamilya Jubran, Paris
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