Eighth Annual
Florida Electroacoustic Music Festival
Composer-in-Residence, Larry Austin
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Festival Schedule
April 8, 1999
| Machinewerks | Michael Thompson (Texas) |
| Streams | Ron Herrema (Michigan) |
| A Year in the Life | Randall L. Muck (Alabama) |
| With Love | Mike Frengel (New Hampshire) |
| Guitar Music | Ron Parks (New York) |
| Piano Sound? | Akihisa Ohashi (Japan) |
| Zymurgy | Robert Frank (Texas) |
Concert II
| Screams from Lima | Howard Fredrics (Road Island) |
| Reap the Wirlwind | Robin Julian Heifetz (California) |
| Asa Nisi Masa | Michael Angell (Alabama) |
| The Cathedral Sky | Robert Scott Thompson (Georgia) |
| #2 from Three Pieces, for contrabass and tape | Orlando Jacinto Garcia (Florida) |
| Alba Sud | Elsa Justel (France) |
| Abandoned Lake in Maine | Mara Helmuth (Ohio) |
| Shatter | Marc Ainger (Ohio) |
| Remnant | Paul Rudy (Missouri) |
| First Tangent to the Given Curve, for piano and tape | James Dashow (Italy) |
Concert III
| Ellage | Neil Flory (Texas) |
| Renewal of Central Foundry: Part 1 | David Durrant (Alabama) |
| Demeures Aquatiques | Beatriz Ferryera (France) |
| Extensions #2 | Doug Michael (California) |
| Equality | Bonnie Miksch (Georgia) |
| Europa | Graham Hadfield (England) |
| Microclimate II: Red Snow | Natash Lee Barrett (Norway) |
| Music Through Prisms | Mikel Kuehn (Ohio) |
Concert IV
Latin American Electroacoustic
Music
Martin Fumarola, curator
| Ascencion | Alejandro Iglesias-Rossi (Argentina) |
| Words through the Worlds | Ricardo Dal Farra (Argentina) |
| Omen | Martin Fumarola (Argentina) |
| LuzazuL | Daniel Schachter (Argentina) |
| Babel | Rodrigo Sigal (Mexico) |
| Moin Mor | Manuel Rocha Iturbide (Mexico) |
| San Sounds | Juan Reyes (Columbia) |
| Mascarada | Carlos Vazquez (Puerto Rico) |
| Crystal Ball | Jacky Schreiber (Venezuela) |
| Android | Lucio Edilberto Cuellar (Columbia) |
This concert features brand-new electroacoustic and computer music mostly by Latinamerica-resident composers. There are pieces by established composers as well as by emerging ones, and the styles rangue from religious and spiritual oriented music through "pure" computer music and traditional electroacoustic approaches. -Martin Fumarola
| The Bell Drama | Friedhelm Hartmann (Germany-Israel) |
| EJ NU-KA OJ | Anna Ikramova (Russia-Germany) |
| virtual string | Achim Bornhoeft (Germany) |
| Hall of Mirrors | Mathias Hettmer (Germany) |
| Overture zur Kesselhaus Suite | Dirk Reith (Germany) |
| Diaphane | Gerald Eckert (Germany) |
| Poppekstive | Javier Alejandro Garavaglia (Argentina-Italy-Germany) |
The above concert is a cooperative venture between the electronic music studio of the University of Florida (FEMS - USA) and the Folkwang-Hochschule (ICEM, Essen - Germany). "The Two Sided Triangle" project is now in its second year. The idea of James Paul Sain (University of Florida) and Javier Alejandro Garavaglia (ICEM - GNMR), "The Two Sided Triangle" will present works composed in Germany. We believe that this kind of cooperation is not only a vehicle to present new music but also will encourage people of different countries and cultures to get to know each other much better.
Concert VI
Electroacoustic Music from
FEMS
Douglas Maxwell, curator
| The Monkey and The Snake | Marc Shahboz |
| Saidimeant (dialogue of sorts) | Robert Andersohn |
| Meld | Isaac P. Bichachi |
| Perceptual Evolution | Linda Ann Brown |
| P.roject S.elf E.steem | Kristen King |
| 'dem darn ducks | Edward Martin |
| Atari | Paul Still |
| TBA | Paul Burkhead |
| As the Pendulum Turns | John Edward Watts IV |
| Pixel 31: A Rapid Confession | The Experimental Audio Initiative |
| Percussuccotash | Jimi Hiley |
| The doormouse behind my wall... | Tohm Judson |
| Aliferous, for digital media and homegrown distortion | John McElroy |
| Interdimensional | David Colins |
| Spinach | Hogan Zinn |
Concert VII
Music from the University of
Texas, Austin
Russell Pinkston and Tom Lopez,
curators
| Shady Origins | David Hainsworth |
| Ellipses Dreaming | Bryan Clark |
| CommEnt | Tom Lopez |
| By Heart | Rachel McInturff |
| Ride | Rick Petersen |
| Deep Pockets | Larisa Montanaro |
| What Happens Beneath the Bed While Janis Sleeps? | Rodolfo Coelho de Souza |
| Margo's World | Russell Pinkston |
Concert VIII
| [MUTE]ation, for computer | Brian Belet (California) |
| I Lend You My Ears | Palle Dahlstedt (Sweden) |
| Time is the Fire in Which We Burn, for trombone and tape | Scott L. Miller (Minnesota) |
| Big Pile of Stuff | Samuel J. Hamm, Jr. (New York) |
| Velocity Studies IV: Flutter, for saxophone and digital media | Allen Strange (California) |
| Visions of Habakkuk | Rodney Washka (North Carolina) |
| Timbre Study No. 6 | Hubert s. Howe, Jr. (New York) |
| Tag till... | James Paul Sain (Florida) |
| T.A.T ( a man's life), for Bass clarinet, viola, 4-track tape and live electronics | Javier Alejandro Garavaglia (Germany/Argentina) |
| Tarogato!, for tarogato and octophonic computer music | Larry Austin (Texas) |
Travels of the Spider, CD Release
Convocation Lecture/Recital
| TBA |
Kyma Workshop
Paper/Report Session
| T.A.T.: composer's perspective | Javier Alejandro Garavaglia |
| Windowing the Sound World - Music Composition with Granular Synthesis |
Mara Helmuth |
For more information on the electroacoustic music program at the University of Florida point your browser to the Florida Electroacoustic Music Studio home page.
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